Hungarian

In September 1970, I spent a couple of days in Budapest, staying with a doctor friend, whom I'd met (and had to stay) when he had visited London earlier that Summer. It was one of those episodes, the importance of which bears no relation to its duration. The reason? The intensity of the hospitality I received from Ádám and his mother, living in circumstances far reduced from those they had earlier been used to, but unceasingly generous to this traveller passing through - certainly compared to the standard I'd set in London.

Since then, we have corresponded regularly - if only at Christmas - though I have never been back to Hungary. Knowing Ádám (and - over time - his family) even in this tangential way has stimulated an interest in all things Hungarian, particularly the music of Bartók and Kodály. Politically and economically, the country appears from here currently to be in a mess, alas - but this seems happily unreflected in the family photograph I've just received, taken near Lake Balaton last Summer.

Power playing

The Guiting Power Music Festival got going just before I arrived in Gloucestershire: I remember Raymond Cochrane, who in an act of amazing generosity had given much of the village away to a specially-formed charity, making a somewhat halting speech at the first Festival I attended, about 35 years ago.

It was always a pleasure - after the relative formality of the Cheltenham Festival - to go up to Guiting; but in those days it was a bonus if one managed to hit upon a performance which was satisfying musically. With Joanna MacGregor as President, however, in recent years it has gone from strength to strength. And last night's recital was the best I have heard in the charmingly unpretentious Guiting village hall.

To have the chance of hearing and seeing three young, but already world class, string players at such close quarters is a rare privilege. Under Alexander Sitkovetsky's leadership, Natalie Clein and friends gave us a superb early Beethoven (G major) string trio, and - before that - a movement from the lyrical Dohnanyi String Serenade. At the outset, Sasha teamed up with violist Krzysztof Chorzelski, violist in the Belcea Quartet, for a vibrant - the stage flowers seemed in danger of falling off their stand - performance of the Mozart Duo K423, and Natalie gave an impassioned Kodaly solo cello sonata, Op.8: quite a tough nut for the audience, not to mention the performer.

Where else could you have swings to swing on, an entire playing field to picnic in, and end the evening with such an outstanding performance?