Showing posts with label CPRE. Show all posts
Showing posts with label CPRE. Show all posts

Wednesday, 9 October 2013

Chase End



Six of us met at Hollybush today, more than usual. The talk about Royal Mail shares made me wonder whether I had neglected to apply out of distaste for the privatisation or merely indolence.

We had the most lovely walk, notwithstanding, clockwise around Chase End Hill, at the "bottom" of the Malverns. We funked the steep climb up to the top, which - at 600 feet - lets you see all round. Even as it was, we had surprisingly long views - to the Sugar Loaf to the South-West and across to Bredon and the Cotswolds from the woodland ride leading into the Bromsberrow Place Estate: the ride runs between many tree varieties, sweet chestnuts especially plentiful.

Gil Greenall's careful stewardship of his Estate is everywhere evident, not just from the signage: the house itself looks magnificent in its parkland - lakes at just the right distance, and White Park cattle grazing before the curiously Neo-Greek West front. From a distance, the long-established trees behind and to the South of the house make it altogether an imperial setting. (It was five years ago that I came there on a CPRE outing.)

Yesterday evening, we went to our first Film Society evening of the new season, having missed the opening night. "No" recounted the final weeks of the Pinochet era in Chile, and the gathering of popular support for a No vote in the referendum. Pablo Larrain's film jerked along rather disconcertingly: the 30-year-old camera, used to convey a suitably historic feel, secured a nice degree of tension throughout. You kept thinking there would be a sting in the tail, but of course there wasn't, just ambiguity.

Thursday, 7 August 2008

My day out with the CPRE


Rather at the last minute, I joined a coach party today, organized by North Cotswold CPRE.

First stop was Bromsberrow Place, just under the Southern slopes of the Malverns, in the far North-West corner of Gloucestershire. Our huge coach all but came to grief under the low-hanging branches of the oak trees lining the drive: not quite another satnav saga, but similar. (We shouldn't have been going in that way.)

Over the past 17 years, the Bromsberrow Place garden, something of a sleeping beauty when in the late Miss Albright's ownership, has been brought fearlessly back to life by the Greenall family, who have made major investments - particularly in trees.

We marvelled especially at the walled garden. Facing South with wide views towards the Cotswolds, it contains rows of groaning apple and pear trees, a vine house, colourful borders and masses of succulent vegetables. It was good to hear that local schools bought the produce, and that their children came along regularly to help harvest it. All the various aspects of this estate seem to run brilliantly under its imaginative and hands-on owners. (This was no surprise to me, having in the past worked alongside Gilbert Greenall - he and I both being trustees of the Summerfield Charitable Trust.)

In the afternoon, our bus took us to the six-acre garden of Elton Hall, owned by Mr. and Mrs. James Hepworth. This is an extraordinarily pretty 18th Century house, brick-fronted with ogee windows, not far to the South-West of Ludlow. (We had driven past it when we were staying on the Croft estate last month.) At Elton also the scene has been transformed in the last 17 years, since the arrival of Anthony Brooks - a most modest man, yet clearly an inspired gardener.

Walking round, it was hard not to be distracted by the Hepworth family elephant (in many guises), horse, puffin etc. collection - all dead; and the five inhabitants of Fort Tortoise, very much alive. The garden is full of follies - one (dating from 1997) to commemorate a distinguished former owner, Thomas Andrew Knight, an early President of the RHS: a Latin inscription on the floor below his portrait gives thanks to the EU for the grant which helped build it - and to those who don't smoke within the gazebo.

I don't know anything about planting, but in this garden the late Summer colours - and the way they were massed - seemed to me particularly magnificent. The ladies with notebooks amongst us were enthusing about Echinaceas and Rudbeckias. Even table tombs in the adjoining churchyard seem to have been carefully bowered with wild flowers. Excess of pure colour is painful: variety and combination of colours is most pleasurable - so taught Thomas Knight's more famous elder brother, the connoisseur Payne Knight.

Overall I found it was the Elton experience that marginally won my heart - in spite of the Bromsberrow bravura. But almost best of all in the day was to be driven painlessly through Gloucestershire, Worcestershire and Herefordshire, countryside as varied and majestic as any one could hope to experience in the course of a two-hour journey.