Naunton

Three of us set out this dank morning from Naunton: we walked up the Windrush and across to Guiting Power, then to Barton and East towards Huntsman's Quarry, cutting downhill back to the Black Horse in time for not a very good lunch. Fact acquired: the Guiting Amenity Trust owns 73 properties. Photo: Longford House, next to the pub - built around 1800.

Guiting again

Mini said last evening, before our customary date attending the Guiting Festival, "Being here always reminds me that the end of Summer is approaching." Well, as if to contradict her, today it's been hotter than ever - and even now, late in the evening, it's still 21 degrees C.

However, yesterday - though it wasn't cold - the sun resolutely refused to sign for our pre-concert picnic, which was a pity, but it in no way diminished the pleasure of the performance by the Carducci Quartet. Here were Emma Denton, Eoin Schmidt-Martin, Matthew Denton and Michelle Fleming after a memorable performance of Mendelssohn's last quartet - ending a recital which deserved (but sadly didn't get) a full house. ("There's just too much music!" as a friend said.)

The three string quartets (Haydn and Ravel before the interval) took less time to play through than one Act of the Ring Cycle, which no doubt explains my surprise that it all seemed to be over so quickly.

Competition

We picnicked at Guiting Power on Friday night, before the opening concert of its annual music festival: not exactly Glyndebourne-come-to-Gloucestershire, but pretty perfect on a sunlit evening. On previous occasions we have used the one and only table, stationed by the swings, but this year it had been spirited away - I spotted it, across by the Hall: though we were there early, I felt that its removal might not go unremarked. Anyway the rug was all that was really needed.

Probyn Miers, Chairman of the Festival committee, thanked the audience for turning out despite the "competition" elsewhere. But was this really necessary, given the quality of what was respectively on offer - at Guiting and in the Olympic stadium?

In the intimate surroundings of Guiting Village Hall, Joanna MacGregor gave us characterful takes on two contrasting Beethoven sonatas - the Pastorale and Waldstein; and then joined with the Heath Quartet for the always thrilling Shostakovich piano quintet. High definition performances. In Stratford East - we caught up with the ceremony on the iPlayer this afternoon - Danny Boyle laid on his spectacularly quirky melange of Britishness to precede the athletes' parade etc. - an incredibly-long drawn out affair, which must have exhausted everyone in the arena, participators and spectators alike. It was certainly amusing in parts, but it tired me out, watching it even with the benefit of the fast forward facility.

At the back of my mind was the ever-resent [I'm leaving this typo: too good to change] thought: this ceremony has set us back £27m. Jonathon Porritt, Chair of the London 2012 Sustainability Ambassadors, happened to be dining here last night: he was at pains to set the minds of those of us present at rest about the Games' overall... sustainability - given that we accept the Olympics are a good thing in principle.

The Romans were appeased by panem et circenses, bread and circuses: for us it's circuses, sponsored by McDonalds. Those without bread will have to await David Cameron's Hunger Summit.

Wormington - Sapperton gas pipeline

My first photograph of this scene near Farmcote was taken on a Winter walk from Stow to Winchcombe a couple of years ago. Today I went in the other direction from Winchcombe, but only so far as Guiting Power.

In the meantime, the massive operation to lay 28 miles of controversial gas pipeline through the middle of Gloucestershire has been undertaken. Despite National Grid's claim that the pipe, laid between Wormington near Broadway, and Sapperton near Cirencester, was essential to cope with growing demand, countryside groups were apprehensive about long-term damage to a sensitive landscape.

An extensive hub for the works - as big as a hamlet - was created more or less overnight just off the A40, not far from the Andoversford traffic lights. Driving past today, however, I saw no sign of it: without close observation, it would be hard to know it had ever been there. And the same goes for the pipeline near Farmcote, apart from a smart new wooden fence.

"A farm for the future"?

Last night, we were at another string quartet recital. Very different from any of our Cheltenham experiences, the Brodsky Quartet's recital took place in the idyllic setting of Guiting Power Village Hall as part of the 39th music festival held there. I remember attending what must have been one of the first, the village's great benefactor Raymond Cochrane making a rather hesitant speech of welcome.

We came expecting to hear a rare programme of Italian music, but preparation time for this had been lost. "I had an accident cutting up the chorizo," violist, Paul Cassidy explained. We could hardly complain at the substitution of Wolf's Italian Serenade and Beethoven Op. 132.

On the narrow road up to Guiting we made way for a huge lorry and trailer loaded with straw bales: my photograph, taken at 9 o'clock during the concert interval, shows - across the cricket ground for which the Village Hall acts as pavilion - a similar vehicle: the harvesting continued even as we drove away from the village an hour later. I wondered what the prognosis was for such hugely carbon-intensive operations, in the light of watching Rebecca Hosking's wonderful BBC2 film, "A farm for the future." You can still catch it in segments on YouTube: start here. Well worth the trouble!

Power playing

The Guiting Power Music Festival got going just before I arrived in Gloucestershire: I remember Raymond Cochrane, who in an act of amazing generosity had given much of the village away to a specially-formed charity, making a somewhat halting speech at the first Festival I attended, about 35 years ago.

It was always a pleasure - after the relative formality of the Cheltenham Festival - to go up to Guiting; but in those days it was a bonus if one managed to hit upon a performance which was satisfying musically. With Joanna MacGregor as President, however, in recent years it has gone from strength to strength. And last night's recital was the best I have heard in the charmingly unpretentious Guiting village hall.

To have the chance of hearing and seeing three young, but already world class, string players at such close quarters is a rare privilege. Under Alexander Sitkovetsky's leadership, Natalie Clein and friends gave us a superb early Beethoven (G major) string trio, and - before that - a movement from the lyrical Dohnanyi String Serenade. At the outset, Sasha teamed up with violist Krzysztof Chorzelski, violist in the Belcea Quartet, for a vibrant - the stage flowers seemed in danger of falling off their stand - performance of the Mozart Duo K423, and Natalie gave an impassioned Kodaly solo cello sonata, Op.8: quite a tough nut for the audience, not to mention the performer.

Where else could you have swings to swing on, an entire playing field to picnic in, and end the evening with such an outstanding performance?

Power dressed

In recent years, there has been a move towards villages choosing a day in the Summer when private gardens are open (and teas available in the Village Hall). Guiting Power Open Gardens took place yesterday, and Caroline and I went along. Mrs. Watson, the baker, who used to bring her bread round in the van when I first moved to the Cotswolds in 1974, was serving out tea, proud to be 88. The gardens were full of colour; the rain held off, and it wasn't too hot - a perfect day for it in fact. We didn't visit all of the the thirteen gardens, because we had walked to Guiting from Tally Ho through the boggy but beautiful wetland nature reserve.

A sinister film used Guiting as its location a couple of decades ago: it left a bad taste in my mouth after I saw it on television. In spite of this, the village remains about my favourite in the Cotswolds, especially when dressed up and on display as yesterday. We plan to return for the Music Festival at the end of next month: Natalie Clein is playing.